Viewpoints holding as truth the fragile and timeless tangibility of the primitive objectivity of the camera obscura. Images redefining a territory that reaches us in the most direct manner possible, having only its vague rendition as an intermediary. In a liminal space between the discernible and the indistinct, the reality of the technique only serves to slightly open the door to a descriptive fiction, pushing the boundaries of both the image and reality.
Images
8 [in process]
The sound postcard, a cross between the postcard and the vinyl record, was born as a talking card at the beginning of the 20th century to replace writing. It later evolved into a musical instrument, and tried to spread throughout Europe and the United States, but failed to integrate into the customs of the time. Little-known and forgotten today, it nonetheless succeeded in establishing itself and gaining an important place in Polish society in the 1970s, notably as a means of disseminating songs from the West, which were restricted in Poland during this period.
Dimensions
21×25 cm
Fonts
Lato, Łukasz Dziedzic / Bona Nova, Andrzej Heidrich
Pages
194
Paper
Antalis Olin Regular Natural White 90g
[L’iconographie de la surveillance, une visualisation entre contrôle et voyeurisme] The iconography of surveillance has many social, political, technological and aesthetic resonances. These aspects may call into question the veracity, ethics and dissemination of this surveillance in relation to the vulnerability of the individual. Through a relationship between man and machine, the graphic medium plays a mediating role, whether textual or photographic, illustrative or editorial. The intervention of a graphic intermediary goes beyond the simple framework of demonstration to deliver real visual messages.
Dimensions
22×18 cm
Font
Interstate, Tobias Frere-Jones
Pages
128
Papers
Antalis Novatech Satiné 90g / Antalis Olin Regular Pure White 60g
About another day on the road.
Time
1:40
From the boundaries of the visible, mediating a relationship between truth and disappearance, that of a body lost in itself, in time and space.
Dimensions
20×20 cm / 40×32 cm / 50×33 cm / 70×40 cm / 80×65 cm
Images
7
A focus on the phenomena that surround our clear, sharp and precise vision. Exploring a view without our fovea, concentrating on its contours for a visual experiment attempting to transcribe a variety of optical effects within its physical limits, its anomalies, its perceptions, its illusions, its diseases. From the blind spot to achromatopsia, from myopia to the after-image.
Time
1:32
An artist’s book experimenting a synthesis between an aesthetic of a scientific photography and a recreational practice; mixing loss of reference marks, anomalies and play of distances through various techniques (photograms, chemical reactions, pixelization…).
Dimensions
22×31 cm
Papers
Various, 90g to 135g
Samples of some photographic works.
Images
21
Exploration of digitised components.
Images
6
Exploring the limits of the fidelity of visual transcriptions.
Images
20
Compositions of a solitary escape of a foreign body, mine, within the cities and populations bordering the Baltic Sea.
A decoding of a new environment disconnected from a familiar anchorage, between intrusion and exclusion.
Images
56
In the confinement, after having traveled in every corner of my home without having even taken me out of my bed. The immobilization in the narrowness pushes me to break this fidelity that I see unchanged every day, and that with the means that my space proposes to me.
In particular a defective printer to make material the photographs with which i obtained a certain cartography of my place and of which I reevaluate the forms and the dimensions by a manual intervention. Where the raw photography still held for real my space, accentuated by the vertical bands of the printing which held it more in rigor ; this intervention, fruit of an essentially instinctive manipulation, offers a redefinition not defined to my portion of life which, it, is distinctly delimited.
Dimensions
21×29,7 cm
Images
8
Paper
Clairefontaine Clairalfa 80g
Volumetric levelling.
Images
21
The street, shaken by its vibrant human life, offre a multitude of points of attachment to the everyday. Yet, it returns as a stimulus here, only its materiality that is not found elsewhere. Through an omnipresent flatness, a neutrality is born abolishing all interstices, all depths, all escapes. A contextual stripping where the visual characteristics leave room for the narrative but refuse any narrative sphere.
Between associations, cut-outs and effacements, fragmented appearances are scrupulously submitted to a ritual concerned with a space in the heart of the flux.
Dimensions
30×20 cm / 45×30 cm / 60×40 cm / 105×70 cm
Images
22
On tarp / Pigment on satin paper / Pigment on mat paper with lamination dibond